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Maggie Vanderweit has been quilting for over 30 years and sewing since childhood.
She went to university in Toronto, France, and Montreal and taught school
in Northern Quebec and Ontario until she had her children.
She gave up a career as a French teacher to devote herself to the universe
of the threaded needle in 2000, and again taught school from 2004-06. A
fter a two year sabbatical, she feels privileged to
now be back operating her business
Stone Threads Fibre Art
full-time from her walkout studio in the brand new house in Fergus, near
Guelph, where she lives with her husband, two sons and three cats. Her
married/personal name is Maggie Meredith.
Maggie is a member of the CQA, ONN, Connections and the Royal City Quilters'
Guild. She has done work towards her City and Guilds certification from Britain.
She offers inspirational lectures, slide presentations, trunk shows and classes
to guilds, schools, colleges, art classes, retreats, quilt shops, private
groups and national needlework shows and quilting conferences.
Her work has been exhibited in galleries and museums across Canada and
is in private collections around the world. She won two first place prizes
in the 2005 National Juried Quilt Show, one for her machine quilting for
“Stone Weather”, and one for her piecing in “Fire in the Cabin - PMS and
the Full Moon”. Maggie sells her original textile art mainly from her studio,
after years of doing studio tours and large shows. She also sells her own
hand-painted fabrics and threads and creates commissioned pieces for public
and personal spaces.
Maggie is influenced and provoked to create by literature, good conversation,
radio, colour, line, texture, her beliefs and private musings.
She draws inspiration from the natural beauty of the farmlands, rolling
hills and woods around her. She works with many different
materials and techniques - from traditional pieced patchwork
to intuitive abstract painting and depictions of political and personal events
. She is probably best known for the hand-painted fabric she pieces in original
and simple patterns, and then densely quilts in intricate, contemporary free-motion
designs with her domestic sewing machine. She also spends her days doing
spontaneous handwork: beading, embroidering, wet felting, embellishing,
and painting. She often works in a series, but every piece emerges completely
unique. Her desire is to create spiritually meaningful
textile art, and she believes that any creative act requires faith and optimism.
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