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Maggie Vanderweit has been quilting for over 30 years and sewing since
childhood.
She went to university in Toronto, France, and Montreal and taught
school in Northern Quebec and Ontario until she had her children.
She gave up a career as a French teacher to devote herself to the
universe of the threaded needle in 2000, and again taught school from
2004-06. A
fter a two year sabbatical, she feels privileged to
now be back operating her business
Stone Threads Fibre Art
full-time from her walkout studio in the brand new house in Fergus,
near Guelph, where she lives with her husband, two sons and three cats.
Her married/personal name is Maggie Meredith.
Maggie is a member of the CQA, ONN, Connections and the Royal City
Quilters' Guild. She has done work towards her City and Guilds certification
from Britain. She offers inspirational lectures, slide presentations, trunk
shows and classes to guilds, schools, colleges, art classes, retreats, quilt
shops, private groups and national needlework shows and quilting conferences.
Her work has been exhibited in galleries and museums across Canada
and is in private collections around the world. She won two first place
prizes in the 2005 National Juried Quilt Show, one for her machine quilting
for “Stone Weather”, and one for her piecing in “Fire in the Cabin - PMS
and the Full Moon”. Maggie sells her original textile art mainly from her
studio, after years of doing studio tours and large shows. She also sells
her own hand-painted fabrics and threads and creates commissioned pieces
for public and personal spaces.
Maggie is influenced and provoked to create by literature, good conversation,
radio, colour, line, texture, her beliefs and private musings.
She draws inspiration from the natural beauty of the farmlands, rolling
hills and woods around her. She works with many
different materials and techniques - from traditional
pieced patchwork to intuitive abstract painting and depictions of political
and personal events . She is probably best known for
the hand-painted fabric she pieces in original and simple patterns, and
then densely quilts in intricate, contemporary free-motion designs with her
domestic sewing machine. She also spends her days doing spontaneous handwork:
beading, embroidering, wet felting, embellishing, and painting. She often
works in a series, but every piece emerges completely unique.
Her desire is to create spiritually meaningful textile art, and she believes
that any creative act requires faith and optimism.
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